At the end of A-route, while attempting to disconnect Eve from the network to stop him from receiving more energy, 9S's data is corrupted. Eve kneels before 2B in defeat, calling out to his brother. The imaginary Eve talks to the imaginary Adam and wishes to go someplace with him. When 9S reaches the end of Eve's labyrinth, he sees a giant house containing figments of Eve and Adam sitting across each other. During his time inside Eve, 9S is infected by Eve's corruption but ultimately succeeds in eliminating Eve's object control function. 9S hacks into Eve to make an attempt at removing his object control function. Eve uses the lifeforce of the remaining machine lifeforms connected to the network to continue his onslaught. The battle is not so black-and-white, however, as the androids begin to question their own motives and the world in which they inhabit whilst being thrown into difficult situations and moral dilemmas.įollowing his brother's defeat, Eve goes berserk and attacks 2B and 9S. The events of the 14th Machine War unfold through three main characters perspectives, 2B, 9S and A2, all of whom fight as the last remnants of human civilization against otherworldly invaders. They can also be replayed via the Chapter Select menu. 2B and 9S are forced to detonate their black boxes in order to destroy the Goliaths, but their fates are left unknown.Įach chapter contains various sub-chapters with some only being revealed after multiple playthroughs. After the target is destroyed, 2B and 9S reunite, only for three more Goliaths to appear and attack them. 2B hesitantly complies and takes his flight unit to defeat Goliath. He implores 2B to leave him to finish the mission and destroy the target. When Goliath is down, 2B makes her way to the top of him to find a mortally wounded 9S. 2B then tells him that they weren't wrong, as she is attacked by Goliath.Ī fight ensues, leading to 9S joining the fight, only to be slammed off his flight unit by Goliath. 9S informs her that there is another facility across the bridge, but that it's unusual for command to get the location of a target wrong. After making her way through the facility and being attacked several times by Goliath wheels, 2B makes her way out of the facility without having found her target.
Results suggest these systems have the potential to inspire composers, allow them to augment their compositions, and in turn help them overcome creative problems.2B, supported by 9S, is sent to the Factory to eliminate their target. The second approach uses Cellular Automata to select loop points in digital audio files, shuffling audio segments in time to create new patterns. The first employs 2nd order Markov chains to aid composers in creation of unique midi melodies. This project is aimed at development of two algorithmic compositional tools, which can be used within the Digital Audio Workstation Ableton with Max for Live software. Breaking fr own limitations can be achieved through the use of algorithmic approaches to music creation. a very personal experience for most musicians and the idea that a musical device can create something like a melody or chord progression without any input required could seem almost like composing rather than relying on mathematicsĬomposing with Algorithms: Two Novel Generative Composition Tools Iain Foxwell School of Engineering and Built Environment Glasgow Caledonian University UK ++ 44 (0)1 Don Knox School of Engineering and Built Environment Glasgow Caledonian University UK ++ 44 (0)1 ABSTRACT Most composers may at some point struggle with the creative process. Results suggest these systems have the potential to inspire composers, allow them to augment their compositions, and in turn help them overcome creative problems. Composing with algorithms: two novel generative composition tools Composing with algorithms: two novel generative composition toolsĬomposing with Algorithms: Two Novel Generative Composition Tools Iain Foxwell School of Engineering and Built Environment Glasgow Caledonian University UK ++ 44 (0)1 Don Knox School of Engineering and Built Environment Glasgow Caledonian University UK ++ 44 (0)1 ABSTRACT Most composers may at some point struggle with the creative process.
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